01. Introduction - 13.21 min
02. Early works - 16.37 min
03. Site specific works - 15.33 min
04. Installations - 14.30 min
05. Ending and questions - 18.38 min
06. Jamoma - 19.32 min
INTERACTIVE SOUND-WORK COURSE
MUU media base is organising a course around the software Max/MSP, which is widely used by composers, performers, software designers, researchers and artists for creating innovative recordings, performances and installations.
As an introduction and inspiration to the course [more info], Muu has invited artists working with Max/MSP to conduct presentations of their work.
The talk covers Trond Lossius approach as a sound artist to public spaces, galleries and other site-specific places, as well as the combination and interaction between sound and visual elements. Further more how to avoid obvious loops and how to create a never ending flow as a non-linear way of thinking, with a focus on using Max/MSP. The presentation ends with a short demonstration of jamoma.org, a platform for interactive art-based research and performance.
Trond Lossius is a sound and installation artist living in Bergen, Norway. He has collaborated with other artists on a large number of cross-disciplinary projects, in particular sound installations and works for stage. His projects has been presented at major venues in Norway and abroad.
He graduated with a master degree in geophysics from the University of Bergen, and went on to study music and composition at The Grieg Academy. Trond Lossius is currently art director of BEK – Bergen Centre for Electronic Arts (www.bek.no) and member of the Management committee of an European research project on sonic interaction design.
Introduction to Interactive sound-work course, to be held in MUU [more info]
Welcome speech by Timo Soppela - 1.13 min
Presentation by Juhani Räisänen - 28.32 min
A series of lectures and demonstrations introducing Max/MSP sound software – part of a course for artists on interactive sound-work – organized at the beginning of the program as a preamble to the subject. The guest lecturers included Richard Widerberg (Sweden) and Juhani Räisänen, who
also made a sound performance with Sormina an instrument of his own invention.
The course leader, Jukka Hautamäki, presented max/msp/jitter -patch
which he uses in live events.
The piece is from a video-work "Soittorasia" by Pasi Autio.
A Woman reads and sings in both solo and polyphonic voice, the names of everyday objects and things seen in the video projection . Composed by Jakob Norgren, with lyrics by Pasi Autio. Performed by Ive Riihimäki.
Pasi Autio: Space of Moments, MUU gallery November 27 - December 20, 2009 www.muu.fi..
Soundtrack of "Soittorasia" (Music Box) - 2.47 min
Artists' Association MUU and the Union of Artist Photographers will organise ART FAIR SUOMI 09, their fifth joint sales exhibition of contemporary art, at the Cable Factory in Helsinki, from 26 September to 4 October 2009.
In the Puristamo and Valssaamo facilities at the Cable Factory you will find Finnish video art, performances, audio works as well as photographs, paintings and drawings – altogether 600 works by 150 artists. Many of the works will receive their premier performance at the fair, allowing professionals and first-timers alike to attend many first-night openings and make great finds, all in one place.
These Sound Art projects
are in connection to ART FAIR SUOMI 09
- - -
Pauli Apollo Ahopelto is currently working with a folk style electro sound installation for next years Kaustinen Folk Music Festival. He has been recording different atmospheres during the festival, and some of these recorded samples can be detected also in his "Winter Tour".
"Winter Tour" grabs a cold windswept winter feeling. Pauli Ahopelto has mixed a numerous recordings, among others his two years old son Kauto playing a xylophone, clinking bottles at the cruiseferry tax-free shop. The soundscape features Julle Juntunen improvising on electric/synth guitar.
The Association of Experimental Electronics are collecting old electronic devices and changing them into sound producing machines. They want to invent functions for something others are throwing away, and they take any device, open it, test it, bend it and experiment with it. Their main aim is to show that from electronic waste, one can build simple devices that are more interesting and fun than readymade products. Trash is also interesting from an ecological perspective.
Their background is experimental Sound Art, and their installations have been exhibited in museums, galleries and other venues around Europe. They play gigs, build exhibitions, hold workshops and do different commissioned works.
Petri Kuljuntausta has belonged for more than a decade to a new generation of composers in Finland interested in experimental and electronic music. He is a composer, performer, sound artist and author of books about sound and music.
His "Mexican Cars" is composed from the environmental recordings that he captured at the end of 2008 in Mexico. He was invited to perform at an electronic music festival in Central-Mexico, and while he was there, he recorded different sound environments during his free time, from bird parks to city sounds, traffic noises to fireworks. "Mexican Cars", as the title suggests, is based on traffic recordings. When he recorded the sounds for this work he stood at the round-shaped center of traffic lights -- where was a fountain and flowers -- and recorded passing vehicles around him as close as he could. Another dimension in the work is the feedback textures that he created with a sound processors at his studio.
Pessi Parviainen is an interdisciplinary artist working in music / sound, visual art, and performance, specializing in work that combines all three.
"Bm11" means a B minor eleventh chord. It consists of six notes. These were played on an electric guitar using an eBow, then tweaked a little bit in software.
In this work, Parviainen wanted to make a place were he could simply sit inside a chord and its timbre. In music, chords like these usually go by quickly. Here, you can listen to a chord outside of harmonic context... or can you?
The brothers Juha and Vesa Vehviläinen ara active as Pink Twins since 1997. They work from fragments of images, sounds and sensations which our daily life is subjected to and break them down into small particles to reunite them once again in audacious chaotic constructions.
For their live performances Pink Twins incorporate live electronic music and a live mix of video works. The music of Pink Twins is based on improvised live sound processing of concrete and electronic sounds, noises and musical elements. The mix of live sound and video projections creates a hyperactive, constantly changing and extremely detailed experience of time and space.
"Appetite For Construction" is an electro-acoustic piece made from layered sounds of bells, percussion, metal objects and electronics. Appetite For Construction was originally made as the soundtrack of a video work of the same name. The sound piece is available on the Pink Twins CD release Pink Light/Pink Heat.
Tapani Rinne is a Finnish musician, composer and record producer, who is known for his experimental and innovative style with the clarinet and saxophone. He is also working with new circus, film, installation, performance and dance.
"Tapani Rinne is a name as integral to the contemporary Finnish music scene as is Jean Sibelius. Which doesn't mean to say that Sibelius was a covert jazz connoisseur, nor that Rinne has achieved worldwide acclaim amongst the general listening public. But to any who have followed current trends in modern Scandinavian music, be it hip hop from Jimi Tenor or the classical crossover of violinist Pekka Kuusisto, the band RinneRadio is synonymous with experimentation both saxophonic and electronic - Anthony Shaw".
In his "The Other One" you can let your mind wander and enter different moods, or with David Rothenberg words: "there is something to be gained by melding the organic reed with the cool computer, it is a lonely northern forest sound unheard before now". The Other One was originally made for an art exhibition held by Harri Koskinen at Gallerie Forsblom.
"Sormina" is new musical instrument, created as a doctoral dissertation project of Juhani Räisänen in the University of Art and Design Helsinki, Media Lab. The instrument is a wireless tool to create electronic music and live video from a computer. The design of the hand held interface and all the programming is done by Juhani Räisänen. With the project, the interface design and the audiovisual output have been of equal importance.
The music of "Sormina" can be described as ambient or environmental, with reminiscence of water drops, wind and other "spacy" sounds. Also melodies can be played. The musician controls the music by turning small knobs of the interface with fingers. When desired, the finger movements may also control live video processing created by the same software.
Juha Valkeapää is a vocal and performance artist, using his voice as his main tool.
In the project "What Did You See?" he uses recorded voices from his exhibition at the Muu gallery in 2006. Visitors (of the show) were asked to say their names, after which they were blindfolded. Juha Valkeapää then performed a vocal portrait improvising with the phonemes of the visitor's name. Afterwards the visitors were asked to explain what they had seen during the performance.
These surprising and very different answers are edited in an alphabetical order in "What Did You See?". It's an interesting sonic game, with the human voice as the main focusing point.
The freelance reporter Päivi Nikkilä will make interviews and presentations during the Art Fair in Cable Factory, starting on Friday, Sept 25th. These presentations and talks will be broadcasted over the net radio, starting from Sunday, Sept 27th.
Perjantai 25.9.2009
01. Jaana Roi Vaarasta 2.19
02. Mia Roi Vaara taustalla 6.29
03. Schachindra about animation 13.55
04. Petri 2.56
05. Ari ja Harri puhuvat taiteesta 14.05
06. Mediataiteilija Mari 13.05
07. Valokuvaaja Jouko 3.42
08. Marjot 2.32
09. Tomi 9.43
10. Kaksi taiteilijaa 17.59
Lauantai 26.9.2009
11. Pirkko Siitari 17.45
12. Svein Ingvoll Pedersen 28.09
13. Ostaja
Sunnuntai 27.9.2009
14. Juhani Räisänen, sormina 7.25
15. Valentina from Italy 2.11
16. Juhani Räisänen 3.29
17. small comments 1.30
18. Päivi Nikkilä 2.11
19. Netti 2.07
20. Mitro Kaurinkoski 8.47
Päivi Nikkilä is a freelancer journalist and specialized on art, culture, gender and human rights issues. She has accomplished the M.A. degree on theatre research and social anthropology at the university of Hki.
"Suomenlinna Ornithological Society" is a multi-faceted project created by New York-based artist Blake Carrington. The project was conceived and developed during an artist residency with HIAP in May/June 2009. At its core is the invention of new bird species with electronic birdsongs. The concrete sources of these birdsongs are samples taken from a Suomenlinna museum film about the history of the island. Explosions, cannonball whistles, and grisly vocal narrations are re-shaped into the rhythms, timbres and frequencies of birdsong. This transformation references the Electronic Voice Phenomenon (EVP), a supposedly paranormal occurrence where voices of the dead are heard via electronic technology.
For MUU's Audio Autograph series, Carrington contributes an "electro concrète" remix of real and artificial birdsongs. It is an excerpt from his upcoming album titled "Ghost Cycle~", to be released under the moniker Suomenlinna Ornithological Society.
The complete archive of the society can be found at http://suomenlinna-birds.com The artist wishes to thank the photographers and recordists of actual bird species, whose work has been appropriated into the archive.
Just in time for summer, Muu is opening up a new channel for listening and broadcasting sound experiments on Internet. The first transmission can be heard on June 1st, either live in Muu Gallery or at www.muu.fi/sound.
The event is a presentation of the Locative Sound workshop at Medialab at the University of Art and Design in Helsinki
Muu Monday Event - Locative Sound
Reetta Nykänen: Citara
Martti Mela: Soundscape
The essence of the locative sound workshop is about listening to the world around us and work with modes of listening and soundscapes consciously and creatively. Environment, acoustic ecology, noise, city planning, sound objects, music, situationism, maps and locative media are examples of themes that are discussed from a sonic perspective during the workshop. Listening walks in both nature and sound intensive urban areas takes place. The participants are involved in making field recordings, develop concepts, installations and sound design as well as sound compositions during the workshop. These works will be performed and presented during the Muu Monday presentation.
The participants in the workshop are:
Alexandra Jones
Reetta Nykänen
Martti Mela
Dimitri Paile
Juhana Virkkunen
The workshop is held by sound artist Richard Widerberg at Medialab at the
University of Art and Design in Helsinki. The workshop participants
are students at the Sound in New Media Master's programme. http://mlab.taik.fi
Richard Widerberg is a sound and media artist currently living in Gothenburg, Sweden. He is in his work investigating the many dimensions of listening and
reproduction of sound. Relating to his sonic works are works that deal with
location, mobility, interaction and social exchange. Richard is part of Dånk!
media arts collective. http://www.riwid.net http://www.daonk.org